Artistic Direction
Anne-Cécile Vandalem – annececile@dasfrauleinkompanie.com
Executive producer
Audrey Brooking – audrey@dasfrauleinkompanie.com
+ 32 489 75 77 52
Administration
Lila Pérès – lila@dasfrauleinkompanie.com
+32 484 14 55 21
Production
Daria Bubalo – daria@dasfrauleinkompanie.com
+32 488 84 58 82
Press
Plan Bey Agency
Dorothée Duplan & Flore Guiraud
assisted by Eva Dias
bienvenue@planbey.com
+33 1 48 06 52 27
Head office
Rue de la Tulipe, 67
1050 Brussels – Belgium
Operational Site
Le Bocal
Rue Van Eyck, 11 B
1050 Brussels – Belgium
With the support of Fédération Wallonie-Bruxelles – Theater department
The website was created thanks to Bruxelles Invest / export
Tags: anne, cécile, contact, das fraulein, kompanie, vandalem
Founded in 2008, Das Fräulein (Kompanie) is designed to develop and promote the work of Belgian artist Anne-Cécile Vandalem. The resulting creations are original works that the artist conceives, writes and directs. Das Fräulein (Kompanie) is currently subsidized by the Federation Wallonia-Brussels.
In 2003, Anne-Cécile Vandalem began to create and write plays: Zaï Zaï Zaï Zaï (2003) and Hansel and Gretel (2005) with Jean-Benoît Ugeux. Already, fiction is her preferred medium and her essential means of expression.
From 2008 to 2013, habitation plays a major role. The artist sees it as the perfect place of confinement, by which and with which everything happens. Starting from an ultra-realistic universe, Anne-Cécile defines the framework of so-called domestic tragedies, within an individual frame with (Self) Service, a family one with HABIT(U)ATION and a collectives one with After The Walls (UTOPIA).
But Looking for DYSTOPIA, hinge show currently being written, opens a new cycle of work for the artist.
In 2014, Anne-Cécile Vandalem leads off exploring the modalities of posture and imposture. She questions the subject/individual’s capacity for action and transformation of reality within different societal spheres, and addresses the issue of disclosure and fragility as honest posture and / or strategic one in her writing. Her new productions Still too sad to tell you, TRISTESSES and WHAT CAN I DO FOR YOU? testify in their own way these new aesthetic concerns.
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