{"id":105,"date":"2015-06-01T19:00:11","date_gmt":"2015-06-01T18:00:11","guid":{"rendered":"http:\/\/dasfrauleinkompanie.com\/?p=105"},"modified":"2021-03-22T12:59:48","modified_gmt":"2021-03-22T11:59:48","slug":"das-fraulein-kompanie","status":"publish","type":"post","link":"https:\/\/dasfrauleinkompanie.com\/en\/das-fraulein-kompanie\/","title":{"rendered":"DAS FR\u00c4ULEIN [KOMPANIE]"},"content":{"rendered":"

Formed in 2008, Das Fr\u00e4ulein (Kompanie)<\/strong> was established to develop and promote the work of Belgian artist Anne-C\u00e9cile Vandalem<\/strong>. Its theatre creations are original works conceived, written and directed by the artist herself. Das Fr\u00e4ulein (Kompanie) is currently subsidised by the Wallonia-Brussels Federation.<\/p>\n

In 2003, Anne-C\u00e9cile Vandalem<\/strong> began to create and write the shows ZA\u00cf ZA\u00cf ZA\u00cf<\/strong> (2003) and HANSEL AND GRETEL<\/strong> (2005) with Jean-Beno\u00eet Ugeux. Her preference has been for fiction ever since.<\/p>\n

From 2008 to 2013, the notion of home played a leading role in her work. It is seen as the perfect place of confinement, through which and with which everything happens. Starting from an ultra-realistic universe, she has defined the context of so-called domestic tragedies on an individual level in (SELF)SERVICE<\/strong> at the Th\u00e9\u00e2tre de Vidy-ETE (Lausanne), on a family level in HABIT(U)ATION<\/strong> (2010) at the Th\u00e9\u00e2tre de Namur (Belgium), and on a collective level with AFTER THE WALLS (UTOPIA)<\/strong> at the Th\u00e9\u00e2tre National de la F\u00e9d\u00e9ration Wallonie-Bruxelles during the Kunstenfestivaldesarts. These shows make up the Parentheses Trilogy.<\/p>\n

Alongside this trilogy, she also created MICHEL DUPONT<\/strong> with the sound engineer Brice Cannavo to reinvent the opposite of the world in a sound show for adults and teenagers.<\/p>\n

In 2014, Anne-C\u00e9cile Vandalem<\/strong> began exploring the modalities of posture and imposture. She questions a subject\/individual\u2019s capacity for action and transformation of reality within different societal spheres, and within her writing addresses the issue of disclosure and fragility as an honest and\/or strategic posture. Her creations LOOKING FOR DYSTOPIA, STILL TOO SAD TO TELL YOU<\/strong> and WHAT CAN I DO FOR YOU?<\/strong>  each in their own way bear witness to these new aesthetic concerns.<\/p>\n

In 2016 she created a diptych on sadness, comprising STILL TOO SAD TO TELL YOU<\/strong> (video installation) and TRISTESSES<\/strong>.<\/p>\n

ARCTIQUE<\/strong>, which premiered in 2018, is the second part of a trilogy on the end of humanity through major failures of our time.<\/p>\n

In 2019, Anne-C\u00e9cile Vandalem<\/strong> joined forces with the Schaub\u00fchne am Lehniner Platz to create DIE ANDEREN<\/strong>, a show performed in German by the company\u2019s actors.<\/p>\n

In 2020, the artist was preparing to recreate TRISTESSES<\/strong> in German for the Burgtheater in Vienna but this was postponed due to the COVID-19 health crisis.<\/p>","protected":false},"excerpt":{"rendered":"

Formed in 2008, Das Fr\u00e4ulein (Kompanie) was established to develop and promote the work of Belgian artist Anne-C\u00e9cile Vandalem. Its theatre creations are original works conceived, written and directed by the artist herself. Das Fr\u00e4ulein (Kompanie) is currently subsidised by the Wallonia-Brussels Federation. In 2003, Anne-C\u00e9cile Vandalem began to create and write the shows ZA\u00cf ZA\u00cf ZA\u00cf (2003) and HANSEL AND […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":true,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0},"categories":[4],"tags":[6,10,11,7,5,8,9,12],"acf":[],"_links":{"self":[{"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/posts\/105"}],"collection":[{"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/comments?post=105"}],"version-history":[{"count":26,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/posts\/105\/revisions"}],"predecessor-version":[{"id":2904,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/posts\/105\/revisions\/2904"}],"wp:attachment":[{"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/media?parent=105"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/categories?post=105"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/dasfrauleinkompanie.com\/en\/wp-json\/wp\/v2\/tags?post=105"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}